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关键词: 伦纳德·卡斯特 Dear Martha 剧情 爱情 惊悚 犯罪
开心电影院为您提供1969年由雪莉·斯托勒,托尼·洛·比安科,玛丽·简·希格比,多莉丝·罗伯茨主演,伦纳德·卡斯特导演的《蜜月杀手》/原名《The Honeymoon Killers》/又名《Dear Martha》剧情 爱情 惊悚 犯罪 电影在线观看完整版,《蜜月杀手》百度云网盘资源以及《蜜月杀手》高清蓝光mp4迅雷下载,《蜜月杀手》BT下载资源,希望您能喜欢!
肥胖的护士长玛莎(Shirley Stoler 饰)全部的生活不过是沉闷的工作加上照顾依赖感强烈但又时常抱怨的母亲,对所谓的爱情,她已不抱太大希望,直到她通过交
Plot Summary:In the early 1950s, Martha Beck, who lives with her slightly senile mother, is the head nurse in a Mobile, Alabama hospital. She is bitter about her life, she not having male companionship in large part because she is overweight, while her bitterness in turn does not endear her to people. She is initially angry with her best friend, Bunny, for signing her up to a lonely hearts club, but eventually decides to give it a try. Through it, she meets Ray Fernandez, a suave Spanish immigrant living in New York, he who contacted Martha as the first through the club. After Ray's trip to Mobile to meet Martha, they fall in love. Upon a subsequent visit Martha makes to Ray in New York - which leads to her being fired in part for her time off work - he decides to be up front with her: that she is not only not his "first" but that he is really a con man who, primarily through the club, seduces then bilks lonely women of their money. Pretending to be his sister to prospective targets, Martha decides to join Ray on his cons as they travel the country together. Their differences in style causes problems, Martha who is more direct, more impatient and more violent, she who is the first to consider killing to get what they want. But what has the potential to be the primary cause of their downfall is Martha's jealousy over Ray even pretending to seduce other women, let alone any time he may have sex with them.
如果这不是真实发生过的故事,恐怕也就不那么令人震惊了。
還不錯,女主讓我想起misery裡的anne
仔细一看是69年的、但那时候黑色电影好像已经不流行了,好奇异
体型让玛莎看起来非常适合这样一个胆大笃情的人,她认定了雷,便不遗余力盯紧雷的每一次作案,不让他有丝毫背叛的机会,手段被榔头与丝巾升级之后,血案已经无法停止,雷的不忠诚无从改变,只去不回的爱,唯一的终点是共赴黄泉。
如果爱情的本质是「自私」那么这个极端的故事就充分证明了以「爱」的名义施行牟利将会何等的疯狂,当然如今以女性主义的视角而言,则又是直男癌的滔天罪行,毕竟「爱」可以成为男权的工具。
不如深深的腥红
是不是本年度第一部五星电影?毛骨悚然又怦然心动是我的观影感受。
色字头上一把刀,请神容易送神难。原本是单纯的骗财骗色,在加入感情因素后变得狂暴和不可测,这不仅是犯罪片,还是一部关于幻想与破灭的黑色爱情片。通过省略部分显而易见的情节极大加快了叙事节奏,苍白的打光、声画分离和对面部特写的运用营造出冷漠残忍的氛围。玛莎看起来是《十日危情》凯西贝茨的前辈。
6.5分,AC3 1ch/7.69G 已删
肥胖者的自卑。表演突出,剧作流畅而富细节,喜剧与犯罪元素交响乐般混搭。
人家唯一的一部导演作品,怎么居然也有模有样?看来经验不是拍出来的,王晶拍的多,管个屁用!